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Grateful Dead Live at Orpheum Theatre on 1976-07-17




Set 1

The Promised Land
Mississippi Half-Step Uptown Toodeloo
Mama Tried
Deal
New Minglewood Blues
Peggy-O
Big River
Sugaree
Johnny B. Goode

Set 2

Samson And Delilah
Comes A Time ->
Jam ->
The Other One Jam ->
Drums ->
The Other One ->
Space ->
Eyes Of The World ->
Jam ->
The Other One ->
Goin' Down The Road Feeling Bad ->
One More Saturday Night

Encore
U.S. Blues
Not Fade Away


Collection GratefulDead
Band/Artist Grateful Dead
Venue Orpheum Theatre
Location San Francisco, CA

Source Matrix mix (SBD/AUD)
Transferred by Chris Chappell

Notes

Matrix: (SBD + AUD mix)
SBd/AUD Ratio = Phi

SBD: (shnid=34708 - fix of 243)
Master Reel > DAT > CD via?
fix via Bill Tetzeli (crossfaded patch in Eyes)

AUD: (shnid=18389)
Source: Recorded by Bob Menke; Sony ECM-280s> Sony TC-152 from front of balcony
Lineage: MAC>R>D>WAV>SHN
DAT -> SHN Conversion: Tascam DA-30 playback > Egosys Waveterminal 2496 >
Cool Edit 2000 > sector boundary verification (shntool v1.01) > CD/SHN
by David Minches, info file by Matt Vernon

Matrixed by Chris Chappell
scarfire@liquidcity.com
Novemeber 9, 2008

General Notes:

Shnid 91827 was an earlier version of this matrix which derived
from reference CDRs that I had sent to Rob Bertrando who suggested
I do a matrix of this show. His edits included adding some low end,
pitch correction, and swapping channels in the patch in Eyes. Noah
Weiner made flacs of these changes but had inadvertently checked
the replay gain option. So 91827 had 2 DAEs in the lineage, plus
replay gain (my v.1 ref CDRs > DAE > Rob's edits > CDRs > DAE >
Noah's Flacs). This new version has similar edits, EQ, pitch
correction, etc. to those that Rob had done, slightly different
SBD/AUD ratio, and no DAEs.

The timing of the initial seed being what it was, I am making this
version retroactive and naming it Vol. 25.

Many thanks to Rob Bertrando for the motivation to work on this fine
show - the Comes A Time intro and post jam are worth the price of
admission alone. Thanks to Bob Menke for recording the AUD, and to
David Minches for the transfer. It's not clear who was responsible
for putting the SBD into circulation - so whoever you are - Thanks!

Enjoy!
- Chris

Reviews

Reviewer: DMTrue13 - - April 3, 2014
Subject: double dipped gratefuldead
gotta like two encores. Jerry is really mellow in this show, but i like that. things get stretched out. Slow Miss1/2step but smooth and laid back in a real good way. Persian? Nice spooky space in the Other one, i enjoy this stuff. Pretty good sound, slightly odd mix at times, but less is more.
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Source: DTS-Audio-CD 5.1 Mix; SBD (shnid=15076) SBD>MC>DAT>CDR; Via Paul G; Seeded by T. Wiley + AUD (shn id 90976) taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - dts mixing by Kevin Tobin
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Source: Sennheiser MD-441's > Sony TC-D5M > Maxell MX-90's, no Dolby, next to the soundboard.
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Source: nak 300/cp4 (@ board, 12') > tcd5m (tdk mar 90 +dolby)
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Source: Recorded By Floater,Transfer By Keo; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Tapes Maxell XLII-90,100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging; With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper
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Source: AUD: Beyers M88's > lead deck Sony D5 > Sony TC-D5M > TDK MA-90's, with no Dolby, set up in second row of seats at end of the floor.
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Source: lineage: sennheiser 421 (fob)> d-5> d-5> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
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Source: DTS-Audio-CD 5.1 Mix; SBD (shnid=110519) Recording Info: SBD -> Master Dat (48k); Transfer Info: Master Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC; Transfers and Mastering By Charlie Miller + AUD (shn id 91996) Sennheiser ME-80's>Technics SV-MD1
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Source: First Generation Cassettes From Unknown Mics/Deck>Unknown Original Copy Decks/Info; Tapes From White,Transfer By Keo; Tapes Maxell XLII Gold 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz